Abstraction: Freedom from representational qualities in art
The first painting I recall creating as a child (4 yrs old) was an abstract. I called it 'Archway'. My grandmother fell in love with it and had it beautifully framed for her home, where it hung in her stylish living-room until she died in her late 90's.
Many of my abstract works are on wood or canvas and some on paper. All mediums: oils, enamel, acrylic, oil pastels, silver-leaf and graphite.
With abstract work I feel that I get closer to my original experience of the creative process with art - specifically with painting. My work is based solely on feeling; emotions and their immediate translation into colour or form. My responses to that which I absorb from the world around me, filter through from mind to body and translate into visible creation. The emotive energy of the work is a very big part of each piece. It has taken me some time to get to this place, where I can go straight to the canvas or paper with nothing but an emotion and not have that process interrupted by context and intellectual understanding.
I seem to be taking orders from my inner artist as I feel my way through the process; 'this is right here', 'more yellow here', 'this must go away' or 'more of this' etc. I simply trust the odd monologue that goes on inside my
Read more about the Emota Series here on my blog.
TInatangi IOil, enamel and oil pastel on canvas // 1010x1010mm // with thin wood edge reverse box frame
Belgard I LROil, enamel and oil pastel on canvas // 1010x1010mm // with thin wood edge reverse box frame
Most of my art is available in limited edition print format. Please use my CONTACT page for queries and obtaining quotes.
For me, the creation process of an abstract painting is closest described as a form of dance - conscious, intuitive movement through reactions and responses of creation.
Through the making, I am distilling an emotion down to a few simple things, stripping away context which gives me the freedom I often long for when creating representational art works.